On its new CD from BR-KLASSIK, the Bavarian Radio Chorus, directed by Howard Arman, presents Christmas music from Italy.

With his Lauda per la natività del Signore, Ottorino Respighi modernised the medieval nativity play of the same name by the religious lyricist Jacopone da Todi. He had already explored art forms of the past in adaptations of early music, re-creations and free works based on Gregorian chants. In this piece, he assigned the medieval verses to three soloists - the angel (soprano), the Virgin Mary (alto), and the shepherd (tenor) - as well as a chamber choir. Accompanied by selected woodwind instruments reminiscent of the music of Italian shepherds, and by four-handed piano and triangle, the miracle of Christmas is brought to life in a simple yet impressive way.

Francesco Paolo Frontini is remembered less for his compositions than for his many collections of Sicilian folk songs. From his Canti religiosi del popolo siciliano (Religious Songs of the Sicilian People, published in 1938), a collection of 22 songs for voice and piano underlaid with Sicilian dialect verses and their Italian translations, Howard Arman selected eight songs and arranged them for choir and instruments. Like Frontini, who already included regional variants from Catania, Palermo, and other parts of the Mediterranean island, Arman also arranged different regional versions of two songs. The melody of the Italian Marian carol O sanctissima, which is one of the most popular Christmas carols in the German-speaking countries with its opening verse O du fröhliche, could possibly also have originated from Sicily. The arrangement is once again by Howard Arman.